Nadishana (Siberia - Berlin) is a multi-instrumentalist, composer and designer of experimental musical instruments.
He's an innovator in the field of contemporary ethnic music and one of the musicians who are shaping and developing the culture of melodic finger percussion (handpan, rav).
The use of odd meters, polyphony, 'split hand' technique, progressive harmonies, complex articulation - are characteristic features of Nadishana's original style.
He elaborated the unique playing technique on each of his instruments and his own approach to advanced digital audio editing called "sound microsurgery".
In 1990 along with studying in Sankt-Petersburg V. Nadishana began his self-education in playing guitar. Then he became seriously interested in ethnic music and mastered himself other instruments: sitar, mandola, chanzy, bouzouki, jew's harp, kou xiang, khomus, morsing, ethnic percussion (tongue drums, hang, udu, frame drums, berimbao etc); winds (bansuri, quena, overtone flutes, kalyuka, zhaleyka, gayda, hu-lu-si, bawu, tsaaj nplaim), fretless bass. Besides he has created some experimental musical instruments: dzuddahord, darbudu, pruzhingum, plastrimbaphon, rablorrum, ghostcatcher, pin-sansa, rod-spring gamelan, banbang etc.